submit final print to film festival screening formats

#SUBMIT FINAL PRINT TO FILM FESTIVAL SCREENING FORMATS HOW TO#
#SUBMIT FINAL PRINT TO FILM FESTIVAL SCREENING FORMATS MOVIE#
#SUBMIT FINAL PRINT TO FILM FESTIVAL SCREENING FORMATS MANUAL#

To avoid embarrassing surprises you should ensure that a thorough quality check is done on your project. So, experienced technicians will make all the corrections. The film will be watched on big 30-foot screens so every little error becomes overly conspicuous on the screens.Īccording to Murphy’s Law, whatever can go wrong will go wrong. It could be sync problems, dropouts or even glitches just to mention a few. There are so many kinds of mistakes that can occur at this stage. Quality check is as crucial as mastering. This is the process of converting audio and video files into the format that D-cinema systems will recognize. So, for the purpose of comparison, you should know all that should be included in your quote. It is worthy of note that different labs offer different charges. They will tell you how early they can finish at no extra cost. However, some labs do not render express service. If you give the lab enough time, there will be a correction of many mistakes like glitches in any of the files. It is better to plan ahead and leave enough time to avoid express service. While the typical turnaround time for the production of a DCP is 7 business days, it can be done in about 2-5 days but you have to pay for express service. It depends on whether you prefer a CRU or USB drives. Additional copies will cost you about $160 to $350. This cost covers all the steps in the production like quality control, mastering and even the production of master DCP hard drive. The variance in cost depends on the runtime of the film and special options such as editing, encryption, 3D, 4K just to mention a few. Now, at this stage, the next question on people’s minds will beĪ feature-length DCP usually costs between $1000 and $3000. Considering the two big and irresistible advantages DCP has over 35mm, why won’t 35mm technology die a quick and natural death? The quality of the first screening is just the same as the quality of the 10,000th screening. it is in digital form so it does not wear out.

You can’t compare the first screening to the 100th one. There is another huge advantage that DCP has over 35mm. With such a huge difference in cost, why won’t the shift from 35mm to DCP be very fast? $6 million is a large sum in whatever terms you want to put it. Believe it or not, the quality of both of them are the same.

#SUBMIT FINAL PRINT TO FILM FESTIVAL SCREENING FORMATS MOVIE#

Thinking that the quality of the movie may be less? Don’t even go there. So, the whole cost has virtually disappeared. With the emergence of the digital cinema package, all you have to do is to send movies to hard drives and the hard drives can be reused hundreds of times. Do you? Having given a brief introduction to the digital cinema package and outlined the steps involved in ingesting it, the discussion should shift to the more technical aspect of the package. You don’t want to come back after 2 hours to find out the ingestion stopped after 20 minutes. It is advisable to do other things and come back later but you should be coming back to check if there is any problem every 20 minutes. This could take between 20 minutes and 2 hours depending on the length of the show. The final step is to ingest the content of the drive into the DCP server.

#SUBMIT FINAL PRINT TO FILM FESTIVAL SCREENING FORMATS HOW TO#

Go through the instruction on how to ingest film.

#SUBMIT FINAL PRINT TO FILM FESTIVAL SCREENING FORMATS MANUAL#

Since there are different servers, check the particular server manual that is specifically for your server. Then connect the drive to the server through the USB cord. Plug the power brick into an outlet through the power cord and plug the other end of it into your DCP drive. The next step is to plug in your DCP to your server. After checking and finding out that you have enough space you can move on to the next step.

The size of a show is usually between 750GB and 1TB. The size of the file is usually under either the DCP size label or the Content size label. When everything is complete, the second step is to make sure you have enough space. If it is not, you should find a replacement for the missing item as every one of them will be used. The first step is to open the case and confirm if all the accessories are complete. There are few steps involved in ingesting the file into the DCP server. The package includes an instruction manual, a drive, a power brick, a power cord, and a USB cable. The case is either yellow or orange in color. The digital cinema package comes in a briefcase. A digital cinema Package is recognized and accepted all over the world Its main advantage is that you can present it to theaters to enable them to project it via a digital projector. In its simplest form, Digital Cinema Package or more commonly known as a DCP could be seen as the digital version of a 35mm film print.

Submit final print to film festival screening formats